Narrator, audiobook producer, podcaster, writer, editor/producer for the JimFear138 YouTube Account, editor/co-producer for Laughably Dapper, and Project lead for Dramatically Dapper, co-founder of Dimension Bucket Magazine, and host of the Dimension Bucket Magazine Podcast. This site is meant to be a collection of my work so everything is nice and accessible. Disclaimer: Opinions here do not represent the opinions of Laughably Dapper or Dimension Bucket Magazine. They are purely my own.
Showing posts with label urban fantasy. Show all posts
Showing posts with label urban fantasy. Show all posts
Wednesday, April 17, 2019
The JimFear138 Podcast Ep. 101 ft. Declan Finn
Hello everyone and welcome to another episode of the podcast! This time I talk to author Delcan Finn! We go over his new series of novels, St. Tommy: NYPD, vampires, writing, philosophy, history, and a whole lot of other topics! Be sure to check out Declan's novels, as well as his website and social media, and if you're in the towns hosting the conventions he's appearing at, get tickets if you can! Hope y'all enjoy the show!
MP3 Download of this episode:
https://ia600408.us.archive.org/25/items/jimfear_audio_productions/Ep%20101.mp3
Declan's Links:
Website: http://www.declanfinn.com/
Twitter: https://twitter.com/DeclanFinnBooks
Facebook: https://www.facebook.com/Declan.Finn.Author/
Amazon Author Page: https://www.amazon.com/Declan-Finn/e/B008I8JO2G
Ravencon: http://www.ravencon.com/
Dragoncon: http://www.dragoncon.org
Libertycon: https://libertycon.org
Social Media Dump:
FeedBurner: http://feeds.feedburner.com/jimfear138
Ko-Fi: http://ko-fi.com/jimfear
Steemit: https://steemit.com/@jimfear138
Itunes: https://itunes.apple.com/us/podcast/jimfear138/id1107844659?mt=2
Twitter: https://twitter.com/LichJim
Tumblr: https://jimthedefiant.tumblr.com
YouTube: https://www.youtube.com/user/JimFear138
Blogspot: http://jimfear138.blogspot.com/
Wordpress: https://jimfear138.wordpress.com/
Bandcamp: https://jimfear138.bandcamp.com/
Gab: https://gab.ai/JimFear138
Minds: https://www.minds.com/JimFear138
Dailymotion: http://www.dailymotion.com/jimfear138
Opening Music:
Honey Bee by Kevin Macleod: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100755
Honey Bee Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/
Closing Music:
Crunk Knight by Kevin Macleod: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1400044
Crunk Knight Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/
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Thursday, June 7, 2018
Death Flowers - Part 4 on Steemit!
As Boss Mai's compound burns, rain begins to fall. Kazan, recovered, seeks Zyrkana for a final showdown. Can the warrior slay the demon, or is there something more between them?
https://steemit.com/fiction/@jimfear138/death-flowers-part-4
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Wednesday, June 6, 2018
Death Flowers - Part 3 on Steemit!
Kazan of the Shining Blade waits in the gardens of Boss Mai for the demon ninja Zyrkana. Will he stop her before she kills his employer, or does she have other plans for him?
https://steemit.com/fiction/@jimfear138/death-flowers-part-3
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Monday, June 4, 2018
Death Flowers - Part 1 on Steemit!
Zyrkana, the demon assassin, sneaks into the compound of a crime boss to deal death and destruction. But will she find more than she bargained for?
https://steemit.com/fiction/@jimfear138/death-flowers-part-1
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Wednesday, May 16, 2018
New Original Fiction Page!
So, because I'm a complete goober, I never actually put all my fiction in one place. I just kind of assumed people would go to my steemit profile and read it if they wanted. Like an idiot, I just left it floating out there in the ether, because I'm not a clever man, apparently. However I've now taken steps to fix this. If you look at the top bar of the blog you'll now see a button called "Original Fiction".
Should you click this, you'll find links to all the parts of all my steemit stories, in order from oldest to newest. It will be continually updated as more stories are released. I'm trying to get about a story a week out, but honestly I need to write more. I'll get on that, I promise. Lots of ideas for stories, I just need to put on some tunes and buckle down and write them. I'm not gonna match Robert E. Howard's or, heaven forbid, Walter B. Gibson's output by shitposting on twitter.
Fun as that is.
But yeah, that's it. Now you can find all my stories collected neatly in one place, and no longer have to go hunting all over the four corners of the net for them. I hope you guys enjoy the stories, and keep coming back for more, because god knows I've got more to give!
And speaking of, part 4 of Bringing Down The Mountain will be out tomorrow! Don't miss the thrilling conclusion!
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Friday, May 4, 2018
Rats In The Sewers Part 4 on Steemit
The thrilling conclusion! Our heroes have found the child, but can they rescue her and escape from the vicious ratmen?
https://steemit.com/fiction/@jimfear138/rats-in-the-sewers-part-4
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Thursday, May 3, 2018
Rats In The Sewers - Part 3 on Steemit
A horde of ratmen, an underground town, and an evil temple to an unknown god! Can our heroes save the child before the ratmen begin their fiendish ritual?
https://steemit.com/fiction/@jimfear138/rats-in-the-sewers-part-3
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Wednesday, May 2, 2018
Rats In The Sewers Part 2 on Steemit
Part 2 of our thrilling tale is ready on Steemit! Down the manhole, our two agents find a group of the ratmen. But will they have the child our heroes seek to save?
https://steemit.com/fiction/@jimfear138/rats-in-the-sewers-part-2
https://steemit.com/fiction/@jimfear138/rats-in-the-sewers-part-2
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Tuesday, May 1, 2018
Rats In The Sewers - Part 1 on Steemit
So I realized that, like a complete ass, I hadn't been posting links to my fiction on Steemit on my blog. This stops now with the "new" story I'm publishing over there, Rats In The Sewers. This was originally written some time last year or so for the 21st Century Thrilling Adventure Anthology that never really panned out. No hard feelings over that, but it had to go somewhere, and I really doubt there are many magazines that would publish a story about a rogue arm of the Confederate government saving a kidnapped baby from ratmen in the sewers of Charleston.
So here's the link, and I hope you guys enjoy! Part 2 will be up tomorrow!
https://steemit.com/fiction/@jimfear138/rats-in-the-sewers-part-1
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Wednesday, January 31, 2018
Lucha Libre: Mexican Pulp
My week long Twitter ban is up, and boy do I have some shit to impart to you guys! So okay, this requires a bit of background. I'm GM'ing an AD&D campaign with Moldvay rules, and I just lost half the readers, but keep with me for a minute here. This has led me to want to get into other games systems, specifically The Hero System, thanks to Greg and Allen at Dawn Somewhere recounting their adventures using this RPG system in The Burland Campaign. So I started digging and found out that The Hero System is a little bit more complex than I'd originally thought. I also found out that in 5th edition they came out with a supplement specifically designed around Luchadores.
I don't know what it is, but I've always loved the concept of the Luchadore. The mysterious masked wrestler. I never knew much about the history or the actual lore or the Mexican culture around luchadores, but I sure as fuck knew that their masks were cool as shit and they could work a ring like nobody's business. I used to watch the WCW back in the day (yes I'm an old man), and Rey Mysterio Jr. was one of my favorite wrestlers. So when I saw the Lucha Libre Hero Supplement, I couldn't resist, and digging around in this thing I got one of the most shocking history lessons in my life.
Well, not "shocking" in the sense of "oh my god how could they do this," but "shocking" in the sense of "oh my god how did I not know about this before now?" In the supplement they spend a fair amount of loving time recounting the general history of Lucha Libre, and it's clear the dudes who wrote this supplement are in total love with this cultural phenomenon from south of the border. I even took a bit of time to check their history independently, and from what I can gather without reading actual history books it checks out. So what did they reveal?
Oh, my dudes.
This is the granddaddy Mexican pulp treasure trove.
So it started out as actual wrestling in the classical sense. Two guys get into a ring and grapple around with one another until someone wins. Then it developed into a kind of soap opera/stage play kind of thing, with white hats and black hats, basically what we have with American professional wrestling, only most people were wearing masks. But then the filmmakers got involved, and from there it evolved ("devolved" is too negative a word to use here) into a grab-bag free-for-all of every kind of wild bullshit imaginable.
It started out small, with a few people making personally funded movies a la Night of the Living Dead, with no budget but lots of heart and soul. They were also trying to capitalize on the popularity of Lucha Libre at the time, and good on them for seeing a market and playing to it. But then, with the popularity in Mexico of movies like Dracula, some weird shit started getting added to the mix, and these masked men became folk heroes akin to John Wayne, Wyatt Earp, or Daniel Boone, with the great El Santo (The Saint) being at the top of the pile.
And they threw literally everything they could think of at these guys. They were wrestlers in their day jobs, but by night they kept the masks they wrestled in and fought crime, or supernatural threats to the populace, or mad scientists, or fucking space aliens. It was all over the place. They took a bunch of different genres, from scifi, to horror, to noir, to crime drama, to [insert genre here], and just kind of jammed Mexican wrestlers into them.
And I don't know about you guys, but this sounds like some of the coolest shit in the world to me. The big draw here was that these guys weren't chosen by destiny. They weren't Slayers, or The Chosen One, or magically gifted with supernatural powers to slaughter evil.
They were regular dudes.
Like El Santo.
El Santo has kind of become a folk hero in Mexico, to the point of having a statue of him built in his home town. But he wasn't supernaturally strong, or super fast, or really super anything except super determined to punish evil and protect people. Be it spies, mafia hitmen, vampires, mummies, zombies, mad scientists, whatever, these guys were the physical manifestation of everything good, virtuous, and manly about Mexican culture, and they were here to kick evil in the dick despite not having any actual superpowers. They got by on their strength, tenacity, virtue, and willingness to help people, not some ring of power or [insert power trope from American comics here].
They were just regular dudes standing up to protect innocent people from the forces of evil.
Now I should mention that I'm insanely new to this. I'm just going on what I've read in the Lucha Libre Hero book and some independent research mostly via wikipedia articles. But I have no real reason to distrust their veracity, so I am, of course, extremely excited about this. And I definitely had to bring this treasure trove of absolute pulp weirdness to the PulpRev's attention.
I realize that some may already know more than me, but bear with me while I sperg out about that new thing I learned that's super fucking cool. Add in to the discussion, please. More information is always a plus in these situations. But the thing that I wanted to get into here is the pulp aspect of these stories.
And by "pulp aspect" I mean that pulp ethos that we all jaw on about at length anytime we can get someone who'll let us talk their ear off about it. The total, complete, batshit insane, "anything goes" style of story.
Why would Mexican wrestlers be fighting vampires?
My friend, a better question would be this: Why wouldn't they?
Same goes with any of the other villains I've listed, and more. There is literally no reason to have Mexican wrestlers and not have them fight all kinds of wild shit while just being regular guys.
For example, in the one (1) movie in this genre that I've watched, which was the shitty dubbed version of El Santo v Las Mujeres Vampiro, there's an entire scene where he gets into a legit, no shit wrestling match with a werewolf(?). The werewolf assumes the identity of El Santo's actual opponent, and proceeds to attempt to kill El Santo in the ring until Santo unmasks him and the authorities intervene. Santo doesn't have super strength, he's just some guy. An athlete. A wrestler determined to protect people from these hellspawned fiends.
It gives his heroism that much more impact because he isn't some supernaturally badass vampire hunter. He's El Santo, the Mexican Wrestler/Part Time Superhero. Kind of like The Punisher, minus all the guns and slick tech and PTSD. Like if Punisher had to wrestle all his enemies into submission.
I realize that I'm presenting this badly, but it's a combination of drunkenness and just finding out about this and being so monumentally excited about it. But this kind of thing seems to be right up the PulpRev's alley.
We talk a lot about the false distinctions between genres, and how it's perfectly okay to mash fantasy and scifi together to create an interesting setting or story, and here I find out that the Mexicans have been doing that for damn near a century! It makes me wish I'd gotten into this thing a lot sooner, and I think that there are a lot of lessons we can take from the Lucha Libre films. They weren't shy about any of this, and it's given me a lot of ideas for stories as well as tabletop campaigns.
But I truly do think we can learn a lot from the Mexican filmmakers of days gone by, and use this influence to improve our own craft. These folk tales of strong, manly, masked gentlemen protecting the weak and helpless because, well, that's just what they do is incredibly fertile ground for the PulpRev to plant story seeds in.
So I hope you'll join me on this journey of exploration into Mexico's Lucha Libre phenomenon, because there's a lot there to work with, and a lot of story ideas to be had. A few stories in the PulpRev Sampler follow this template, perhaps unknowingly, and it's entirely possible that we could revive the glory days of Lucha Libre and bring it to an American audience for whom it never really caught on, for one reason or another. There is infinite potential here for stories of regular guys doing good because it's what they're supposed to do, and I think it'd be worth it to take a look at what our friends to the south have been doing for the past century.
So if you're an indie horror film buff, or a wrestling fan, or just someone who likes stories about regular dudes vanquishing evil, there's a metric shit ton of material here to draw from. Not just the El Santo flicks, which are fairly numerous because this guy is basically Mexico's Elvis, but the other wrestlers in the genre.
I'm not saying we need to start writing the most batshit insane adventure stories imaginable about Mexican wrestlers...
But I am saying that we could do far worse than writing the most batshit insane adventure stories imaginable about Mexican wrestlers.
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Wednesday, January 24, 2018
The JimFear138 Podcast Ep. 77 ft. Daddy Warpig
Hello everyone and welcome to another episode of the podcast! This time Daddy Warpig joins us to talk about Quantum Mortis, Vox Day and Ethan Van Sciver, my recent contact with a supposedly famous author, and the ability to take criticism in stride. Hope you guys enjoy, and thanks to DW for coming on the show again!
MP3 Download of this episode: https://ia800408.us.archive.org/25/items/jimfear_audio_productions/Ep77.mp3
EVS vs Vox Day from ComicArtistPros Secrets (EVS' YT channel): https://www.youtube.com/watch?v=GXiYtzTP_qU
Daddy Warpig on Twitter: https://twitter.com/Daddy_Warpig
Daddy Warpig's website: https://jasynjones.com
Daddy Warpig on Gab: https://gab.ai/DaddyWarpig
Geek Gab on YouTube: https://www.youtube.com/channel/UCXWRzKz0Jtfi1Frrh8qPAew
Steemit & The PulpRev with Ben Cheah: https://www.youtube.com/watch?v=MURClVyPWMk
Social Media Dump:
Hatreon: https://hatreon.us/JimFear138/
Steemit: https://steemit.com/@jimfear138
Itunes: https://itunes.apple.com/us/podcast/jimfear138/id1107844659?mt=2
Twitter: https://twitter.com/JimFear138
Tumblr: http://jimfear138.tumblr.com/
YouTube: https://www.youtube.com/user/JimFear138
Blogspot: http://jimfear138.blogspot.com/
Wordpress: https://jimfear138.wordpress.com/
Bandcamp: https://jimfear138.bandcamp.com/
Gab: https://gab.ai/JimFear138
Minds: https://www.minds.com/JimFear138
Dailymotion: http://www.dailymotion.com/jimfear138
Opening Music:
Honey Bee by Kevin Macleod: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100755
Honey Bee Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/
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Tuesday, January 16, 2018
Call To Action: The Swords of Saint Valentine
The Council has met, and come to a decision. Well, actually it was a bunch of yahoos on a discord server, but nyewhatever, details. The Steempulp Warband is putting on an event through the end of February, and you can take part! The full details you can read on Warboss Cheah's Steemit post about the event, and if you're wanting to contribute you're more than welcome to join us on the blockchain-powered blogging platform.
The basic rundown is this: It's past New Year's, and it's Valentine's Season. Being the intrepid neo-pulpsters and hopeless romantics that we are, a bunch of us fungus monkeys with keyboards got together and decided to host an event for the fiction side of Steemit.
We're having an open call for tales of chivalric heroism and romantic love, preferably together in the same story. They can be a whole post or a serial, but the one thing they must be other than chivalrous and romantic, is pulpy.
Did you really expect any different from us?
Also nothing over 15,000 words. We're doing this for an eventual anthology, akin to the PulpRev Sampler, and the stories chosen for invitations to the anthology will be voted on by some group of jackholes in their discord server, based on non-bot, non-paid upvotes. I'm one of those jackholes, along with Warboss Cheah, Noughtshayde (you may know him as Conner Goff of Darkest of Dreams), t2tang, notjohndaker/themixedgm, and J. D. Alden. The Chief Editor shall be the PulpRev's own Jesse Abraham Lucas, editor of the Sampler.
Also your story can be anything, so long as it has chivalry and romance. Set it in space, prehistoric times, other planets, fantasy worlds of your own creation, whatever you like. You're not limited to knights rescuing princesses, and frankly in my opinion if that's all we got it would be a pretty boring anthology. So go buck-fucking-wild with. Bring out the true batshit, and let's give these people a taste of the pulp side of things they won't soon forget.
Once again, full details at the Warboss' post. I just wanted to give y'all a quick rundown and point you in the right direction. If it sounds up your alley, then hit us up. See you on the S.S. Steempulp!
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Sunday, January 14, 2018
Bright Is An Absolute Smash
So this is a movie that I had studiously avoided watching for a while now. It looked dumb as shit, I'm not gonna lie. I had also seen snippets in various trailers that didn't do much to mollify my opinion. Seeing Will Smith's character yell, "Fairy lives don't matter today!" wasn't exactly encouraging, given that I'm part of a literary movement that wants to kick politics out of writing/film/etc as much as possible, I'm not looking for a movie that plays to either side of the current political divide, right or left. I'll still laugh at jokes that agree with my politics, because I agree with them, but at the end of the day a fun sci-fi/fantasy/drama romp with a good plot and decent acting and writing is all I'm looking for. I don't want something that plays to my biases.
Well, I'm here to tell you that I was wrong about Bright.
I know, stop the presses, holy shit I was wrong about something. Shockingly enough, that tends to happen more often than I'd like, and Bright totally blew me away. Going in I was fully expecting a bare-bones buddy cop movie with heavy political overtones that were an obvious allegory to what's currently going on in politics, and there are some nods in that direction, to be sure.
But first and foremost, this movie is built to be entertaining, which as Bradford C. Walker has stated, should be the primary goal of any piece of fiction. I'll try to keep the spoilers to a minimum, but I can't make any promises.
The basic plot of the movie is that at some point in the past there was a war against a Dark Lord, and the orcs chose to fight on his side. This has led to a certain stigma against orcs, which has caused them to be ghettoized to an extent. Human society has dealt fairly well with the introduction of fantasy races, developing to a technological level about on par with what we have now in the real world.
Magic exists, and it's incredibly dangerous, only able to be wielded by a select few, called Brights. There are magic wands, and if you're not a Bright, simply picking one up could have disastrous consequences to say the least. This is most definitely not a universe where the average person can become a wizard, or Bright, through diligent study a la Dragonlance.
There is what could charitably be called a cult looking to bring back the Dark Lord, and another cult looking to stop it. These two are constantly engaged in a kind of underground war, and both are despised by the authorities, but things are coming to a bit of a head when our story takes place, and it falls to our unlikely and (sometimes) unwilling heroes to put a stop to it and save the world from the return of the Dark Lord.
Will Smith plays a police officer five years out from retirement, just trying to do his job and get by without any trouble. For unknown reasons (to me, at least, as I only watched the movie once, maybe they did go into it) nobody wants to partner up with him. He does his job, but he's not overly nice about it, and simply views it as a paycheck. He doesn't have any high-minded ideas about justice or the greater good weighing him down.
Joel Edgerton (whose work I'm not personally familiar with outside of this film) plays the first orc law enforcement officer in the world. He's a rookie, and despised by his own people, who see his turn to law enforcement as a betrayal. But this is what he wants to do and he is determined to be good at his new job. He doesn't suck up to Ward (Smith's character), but throughout the first half of the movie it becomes clear that he's an idealistic cop who wants to do right and clean up the streets.
And absolutely nobody wants to partner with him, because he's an orc. Including Ward.
These two being basically mashed together despite mutual antipathy leads to some of the best character interaction I've seen in a non-established movie series since some of the earlier Marvel movies. Smith and Edgerton play off of one another so well it's almost akin to something like Reservoir Dogs, or Goodfellas, in the sense of you put two great actors in a room or car together, and they're constantly trying to out-do one another.
I'll come out right now and say I think Smith is an amazing actor, and I haven't seen a movie that he's acted in that I've disliked, or that I think he's done a bad job in. Hancock, I, Robot, I Am Legend, all of these movies I think he did a great job as the character he was attempting to portray, and I think he gets unnecessarily shat on because he's Will Smith. Much like Keanu Reaves gets shat on because he's Keanu.
Reaves' performance as Jonathan Harker in Bram Stoker's Dracula is to die for, and if you think he did a bad job as Robert Arctor in A Scanner Darkly I'd advise you to go watch that again and pay close attention to his performance. Smith, like Reaves, is actually a solid actor, and given the right role and proper direction he's able to shine and bring a special bit of personality to a role that few other actors can match. And this absolutely bears true in Bright.
His character is a street-level cop that's seen too much, is far too jaded for his own good, and absolutely refuses to put up with other characters' bullshit. He calls people on their shit immediately, but is also willing to make deals to save his own skin. At the same time, he's willing to abandon said deals just because he knows the people engaging him are trying to fuck him. Smith brings this character to life with a realness that I doubt other actors put in the same roll could deliver.
Edgerton, on the other hand, brings a bit of almost whiteness to his role. He's awkward, he doesn't understand how to act in police culture within the context of the movie, he gets why people dislike him but is determined to prove them wrong, and his delivery of the dialogue is spot on. Personally I don't think they could've cast a better person as Jakoby, and I'm looking forward to seeing other programs Edgerton has acted in. I might've seen him here or there in minor roles in the past, but regardless I'm going to be paying attention to his career in the future. The guy's damn good, and he played Jakoby to the hilt in this movie.
So far as the character interaction in this movie goes, Smith and Edgerton have serious chemistry. I'm talking chemistry like Gene Wilder and Richard Pryor had chemistry. These two play off one another so well that if I had any faith in any film awards ceremonies anymore I'd nominate them for everything they were available for with regards to this movie. Once again, this goes back to my comparison to Reservoir Dogs or Goodfellas.
If you put two amazing actors in a room together and tell them to play off one another, they should immediately start trying to out-do one another. This is the precise dynamic we see in Bright. Smith and Edgerton are constantly trying to one-up each other, and the overall effect doesn't lead to overacting as seen in Patrick Stewart's portrayal of Gurney Halleck in Dune, wherein if he's on screen, he's the most overly dramatic motherfucker on the screen. These two build on each others' portrayal of their characters very naturally, and the overall effect comes across like a buddy cop movie straight out of the 80's, with all the animosity, rivalry, ribbing, and eventual getting-along that entails.
Which leads me to my next point, the buddy cop dynamic. If you'll remember, most 80's buddy cop movies had the two characters be initially combative, but eventually set aside their differences in the face of the greater threat. Through combating this greater threat they come to understand and have a grudging respect for one another, and even develop a rudimentary friendship to hopefully be expanded on in future sequels. This is precisely the kind of relationship we see in the main characters in Bright, and it was very refreshing in the Era of Subversion™ to see this dynamic played completely straight as it was in the movies in this genre that preceded it.
The writing in this movie is also extraordinarily good. The dialogue sounds 100% natural, and it was nice to see Will Smith getting another role that allowed him to talk straight as a character (like in Hancock) rather than make the character out to be something he's not. He's a reluctant hero, but a hero he becomes. Not through some prophecy, but by a combination of predestination and his choices as a person, which make perfect sense within the context of the events in question.
Which leads me to my one gripe with this movie. There are politics in it.
This is by no means an overriding message the movie is putting before the story. Make no mistake, Bright is meant to be a fun, buddy cop, urban fantasy, let's-save-the-world-even-though-we're-nobody's-and-probably-can't romp before it's meant to be any kind of political commentary. However, with a producing studio named Trigger Warning, we can expect a couple of political messages with our fiction.
The scene I mentioned at the beginning of this review is probably the worst offender in this regard. Fairies are regarded as a nuisance in this world, and one is bothering Ward's bird feeders. His wife orders him to go kill it, and he proclaims to a crowd of gangsta motherfuckers, "Fairy lives don't matter today!" and proceeds to beat the fairy to death with a broom, because they're little better than vermin.
There was also specific mention of "diversity hires" several times in the movie, and allusions to law enforcement being constrained by diversity education and having to make allowances for Jakoby because muh diversity rather than him having proven himself worthy of being a cop. I'm not going to lie, this shit is tired.
I don't really care which side of the political spectrum you happen to be on. I'm obviously more right-leaning, myself, but I'm not looking for fiction that plays to my personal biases. I'm looking for entertaining stories. That's why I've studiously avoided the vast majority of Hollywood movies that have come out in the past few years, as well as shows and movies on Netflix.
I'm not interested in this kind of shit.
If you want to make mild political points or jokes, fine, be my guest. As long as it doesn't detract from the overall story, I'm good with it. For example, in Welcome to Night Vale (before I stopped listening because the main voice actor told me personally on Twitter I should be physically assaulted because I disagreed with him politically), they make several jokes about gun nuts. I admit that gun nuts are kinda crazy, and despite essentially being one I can take and even laugh at some good-natured jabs at our side. Especially if the fiction is overall very good.
What I don't countenance is preaching, and I'm happy to report that although Bright engages in lighthearted jabs towards the left-wing and right-wing of politics, none of this is overbearing, has any real weight it applies to the story, and are nothing more than one-time gags played for laughs and quickly abandoned. They make their joke, often in one line of dialogue, and move on. The overall plot itself is able to be enjoyed while completely ignoring these jokes. Few of them that I noticed were plot-specific, and the ones that were are inoffensive unless you're just looking for something to bitch about.
There is definite political commentary there, but like any good story it's delivered within the context of the world they're presenting to you, and any allegorical connotations can be safely ignored in the interest of enjoying the overall story. These jokes can be safely written off as, "Oh, they're ripping on BLM," or, "Oh, they're ripping on racists," because while some of them have a bearing on the overall plot, they're one-note jokes and are quickly lost in the onrushing stream of the actual plot of the movie.
Which, I think, might have something to do with its critic ratings on Rotten Tomatoes.
At the time of this writing, Bright has a rating of 27% from critics, but 87% from fans on the aggregate review site. I think this might be because Bright is an actual heroic adventure story, and it doesn't pretend to be anything else.
Understand, Bright is the story of two cops finding out that a cult is operating in their jurisdiction to bring about the second coming of the Dark Lord and slaughter billions of people, and these two unlikely assholes figure it's their duty to stop it. These two characters are beat to shit, shot, blown up, run over with cars, and god only knows what else, and yet they persevere in their quest to stop this horrible thing from happening.
They're not heroes out of legend, they're just the guys who were there, and were able to do something about it.
This is 100% a heroic adventure story akin to The Lord of the Rings, wherein a couple of random, no-account people were in the wrong place at the right time, and decided they had to fix things, because if they didn't then who would? They didn't want to be there, but they were, so they might as well try to save the damned world.
This is an unabashed, unapologetic, urban fantasy pulp romp, and I couldn't enjoy it more if I tried. If you have Netflix, you could do far, far worse than spending the two or so hours it would take you to watch this movie. There's also a shoutout to my personal favorite movie of all time, The Fifth Element, when they pick up the Elven chick and she's spouting incomprehensible gibberish in the back of the car while they're being trailed by people who very much want to hurt them and her.
And fam.
If you're going to do a shoutout, however subtle, to my top-tier favorite movie in the history of film...
Well, I don't have much choice but to endorse your movie. Simple as that.
Go watch Bright. It's fun as fuck. Moreover, it's fun as fucking. This movie is like good sex, and like with good sex I may have my gripes, but those gripes are mere nitpicks. Overall there is nothing wrong with this movie, and I'm very much looking forward to the sequel. Smith and Edgerton did an amazing job in this movie, and the overall product is absolutely worth your time.
Ignore the critics, and go watch this movie.
Monday, October 16, 2017
The JimFear138 Podcast Ep.70 ft. Russell Newquist
Hello everyone and welcome to another episode of the podcast! In this one I sit down with Russell Newquist, author of War Demons and head of Silver Empire Publishing! We're also joined halfway or so through the podcast by Russell's wife, Morgon! We talk extensively about his book War Demons (light spoilers, nothing major), Silver Empire Publishing, and I get Russell's take on some drama that happened a couple months ago to satisfy my personal curiosity. Hope y'all enjoy!
MP3 Download of this episode: https://ia800408.us.archive.org/25/items/jimfear_audio_productions/ep70.mp3
Russell Newquist on Twitter: https://twitter.com/rnewquist
Russell's website: http://russellnewquist.com/
War Demons: https://www.amazon.com/dp/B075NZDP8S/ref=as_li_ss_tl?ie=UTF8&linkCode=sl1&tag=rusnewsblo-20&linkId=20516b6860d6c4da6a17adb43a7944a9
Silver Empire: https://silverempire.org/
Lyonesse: https://lyonesse.silverempire.org/
Morgon Newquist on Twitter: https://twitter.com/kevasidhe
Social Media Dump:
Hatreon: https://hatreon.us/JimFear138/
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Opening Music:
Honey Bee by Kevin Macleod: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100755
Honey Bee Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/
Closing Music:
Crunk Knight by Kevin Macleod: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1400044
Crunk Knight Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/
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Tuesday, October 3, 2017
War Demons: The Best Urban Fantasy Since Jim Butcher

Before I get into the review, I have some disclosing to do, and an apology to make. Russell Newquist came to me and offered me a free copy of this book specifically for this review, and I interact with him reasonably frequently on Twitter. As for the apology, this review is late as shit, and that's nobody's fault but mine. I'm a slow reader on a good day, but this is ridiculous, and I hope Russell will forgive me for not getting this up sooner. With that out of the way, let's get into my review of this book.
As you can probably tell by the title of this post, it's going to be a fairly glowing review. Not because Russell is a friend, and I should've had this up faster, but because I actually did enjoy the hell out of this book. So let's dive into a short plot synopsis to start things off.
After the death of his fiancee in the 9/11 attacks on the World Trade Center, Michael Alexander joined the military to personally avenge her death. During his time in Afghanistan, his helicopter crashed, and he was attacked by a demon with a yellow nose. It ate his friend, and almost killed him, but he made it out, and now is home in Georgia, still unable to forgive himself for the death of Katie (his dead fiancee). He discovers that the demon has followed him in the possessed body of his dead friend, and then things get really out of hand when a wizard shows up with his pet dragon.
And that should be enough to whet your appetite, so if you want the non-spoiler synopsis, there you go. That'll take you to about a quarter of the way through the book or so, while glossing over a whole shitload of important details. I'll try my best to keep further spoilers out of the review, but if you're looking for a short review with a recommendation right here: Go buy it, it's good stuff. It's $3 USD on kindle, and for as good as this book is you can't beat that with a stick. Here's the (non-affiliate) link to the book.
There's a 2-star review for this book on Amazon that says it "resembles a brainless action flick." While I agree that this book does indeed read like an action flick, it is anything but brainless. Maybe I'm the brainless one here, but this book threw me for a loop a couple times. Maybe I should back up.
It starts as a mystery, and then evolves into a full blown Die Hard With A Dragon action story. The first half of the book involves a very accurate portrayal of PTSD, Michael wrestling with his guilt over the death of Katie, and a search for knowledge about the yellow-nosed demon that ate his friend. Then, as I say, once the dragon shows up everything kind of goes to hell in a hand basket really fast. The change happened so fast it almost gave me whiplash. I don't know what I was expecting given the first half of this book, but it most definitely wasn't for a dragon to show up. At that point I kind of stopped trying to guess where this story was going and buckled in for the ride.
The mystery side of things is presented very well. I have no understanding of how mysteries are written, but I love reading and watching them, and Michael's search for information constantly coming up with bupkis is an interesting one to follow. I think that in the transition from mystery to action book, a couple of loose ends weren't tied up. For example, I don't remember getting a conclusive explanation on the yellow-nosed demon revenant thing. Maybe I just missed it, but like I said before, I'm a slow reader. However, there are other books in this series, so I'll pick those up when I'm able and see if anything else gets explained.
The action is just plain breakneck fucking awesome. When it gets rolling, it does not let up. I don't know how he kept up that level of intensity for the better part of 30 chapters, but he did, and I stand gobsmacked at how much I enjoyed it. The mystery bits are interesting, but slow in comparison to the rest of the book. It's as if it's building up speed, and then when it hits top speed it refuses to let up until we hit the conclusion. It really is like watching an action movie.
The characters are also all distinct, which is what any writer worth his salt does with his characters, but I feel it necessary to mention because I've read fiction where everyone sounds the same, and it's important to compliment good work when it makes itself apparent. And boy howdy does it in this. All of these characters are individuals with their own speech patterns and even accents. Sometimes there was a slip and, for instance, Connor (the Irishman) winds up sounding a little more American than he should, but those instances are few and far between. I loved all the characters in this book, to the point where I couldn't pick a favorite. Maybe Peter, but that would be for reasons I can't divulge to you because [S P O I L E R S R E D A C T E D]. Just trust me, Peter's great.
Now I feel is a good time to bring up the religiosity of the book. This book is capital letters CHRISTIAN. Catholic, specifically. Which makes sense, Russell is a Catholic, and his handling of the topic in this book is exquisite. I grew up Baptist (currently a godless atheist heathen), and I have some familiarity with Christian literature. Enough to tell you with some authority that most of it is just awfully written. There's no real saving the majority of it, because they're trying to preach a message, not tell a story.
Russell is here to tell a story.
And he does so very well. The inclusion of the Catholic symbolism felt completely natural, and it serves the story rather than the other way around, thereby amplifying the message. It's not about to make a convert out of me, but respect and credit where it's due. Also, as an atheist who's read his fair share of anti-god science fiction and fantasy, it's refreshing to see someone tackle the topic without treating believers like morons, and without alienating atheists. At least if you're not the constantly ass-pained, arrogant, "I have to be a cunt to religious people at all times" kind of atheist.
God is very real in this story, and most of the main characters are expressly Catholic. There's even a squad of holy knights straight from the Vatican, and they wound up being some of my favorite characters. It's not overbearing, it's simply there. Michael is Catholic, and trying to find peace, so it makes sense for him to attend Mass. The Vatican knights are, well, knights from the Vatican. Holy water hurts vampires (yes there are vampires in the story...well, kind of), a crucifix staves off the yellow-nosed demon revenant thing, and there's a crazy homeless prophet who shows up to make a nuisance of himself and deliver cryptic warnings. It's handled respectfully, it's not overbearing, and it's all in service of the overall story. When these characters pray, it's not because they feel like they have to pray before they do anything, it's because they need God's help. Usually due to the overwhelming presence of enemies in their immediate vicinity. If you want to know how to put Christian symbolism and plots into a book and have it not suck ass, read this and take serious notes. It's on the level of Dracula by Bram Stoker in that respect.
It was also refreshing to see a writer take a down to earth approach to social dynamics. The interactions feel natural, the men act like men, the women act like women, and it takes an honest look at how people actually interact with one another. In this day of Strong Empowered Women (with no actual personality) it's nice to see someone actually give the women in the story real motivations, and have them act like people instead of archetypes built on years of gender studies classes. Ordinarily something like this isn't worth mentioning, but the portrayal of the male dominance hierarchy and the female attraction to the guy at the top of it was very honest, and it surprised me when I got to the parts where Michael is interacting with his college peers. The characters are believable every step of the way, I even know people like some of them in real life, and I'd like to thank Russell for giving us real people with real motivations and real problems in his book. After all the Mary Sues and Gary Stu's I've had to put up with over the years, War Demons was like cold water to the face in this respect.
If I had one problem with this book, it's that some of the action scenes in the second half feel a little flat. They're fighting wave after wave of "undead", and they just kind of cut through them with ridiculous ease, barely getting hurt. Which, I'm not saying that they have to be completely beat to shit and back before they fight the Big Bad, but some of the action scenes could've been fleshed out a bit better in my opinion. I don't need a punch-for-punch, bullet-for-bullet recap of the action, and in some scenes he gives exactly that, but the battle scenes seemed a bit flat in places. Then again, they are using modern weaponry on what amounts to zombies, and lots of these characters are combat veterans, so the almost glossing over of the thousandth zombie they kill can be completely forgiven with no lingering distaste.
And that's the only problem I had with this book. Well, that and not finding out what the yellow-nosed thing was. But really these are minor personal nitpicks that you may or may not find mildly annoying. Your mileage may vary, but you will in no wise be bored by this book. It has everything you could want out of a good urban fantasy story and then some. I wasn't exactly expecting it to take such a heavy religious bent, but as I say I was pleasantly surprised when it turned out to not be there for messaging purposes, and thoroughly enjoyed every page.
This has gone on for too long, so I'll wrap it up by saying that this is the most fun I've had with the urban fantasy sub-genre since I read Storm Front by Jim Butcher (in The Dresden Files series), and that's no kind of exaggeration. I'm seriously considering getting this one in paperback just so I can have it on my shelf and loan it out to people. The mystery is interesting, the action is straight out of a kick ass 80's movie, the characters are fun and personable, and the plot twists will knock your socks off. If that reviewer on Amazon is right, and it is "brainless" fun, then it's the best kind of brainless fun.
My final verdict: Go buy it. The three dollars for the kindle version is well worth the price of admission, and if your tastes are anything like mine you'll have trouble putting it down once you actually start reading it.
And I once again apologize to Russell for the lateness of this review. Should there be a next one, it'll damn sure be up sooner.
Here is the (non-affiliate) link to the book again, for those that got this far. You won't regret this purchase.
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